As many of you know (if you’ve followed my blog or my work)
I’m a pantser. An organic writer. Every time in the past that I’ve tried to
create an outline I’ve felt it killed my work, and inhibited me from the
freedom of discovery that I believe is a key element to my personal creative
process.
No one could get me to plan a novel and, believe me, they
tried.
Enter Scrivener. (Before I go any further, this is not an
endorsement except of the most personal kind. Oh, and I’m a Mac user, and
Scrivener was initially made for the Mac although there is now a PC version.
But I can’t account for that one – so please sing out about it if you use it.)
But let’s take a step back, to the novel I’ve just finished
as draft number 7.
This novel is a middle grade fantasy. The idea for it popped
into my mind from the clear blue, and I wrote the first draft fast – so fast it
was a blur. It’s a complex fantasy involving two points of view and two
separate timelines that converge midway through the novel. When I was drafting,
the POV was in fact omniscient with digressions into a closer third. I had
multiple mini-chapters, and resorted to the old cut and scotch-tape in order to
move one bit here and another there, to see if it made any better sense.
In other words, this document was a knotty, tangled mess.
It still has issues, and I only wish I’d discovered
Scrivener before now.
I had just put this draft 7 aside for a rest when a new idea
arrived (I love my muse - mwah!!). And I’d just finally bought myself a new
computer, and while upgrading my software I thought, well, what about
Scrivener? I’d had it for years and never tried it, so, what about it?
I decided that if I was ever going to play with new software
why not at the beginning of a new project on a new computer, when I’m a bit in
transition mode anyway.
Scrivener had eluded me in the past because it didn’t seem
completely intuitive and easy, and I still think that’s true. But once I got
started – even a little bit into it – I was hooked.
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| screen shot of the Literature and Latte site explaining Scrivener |
Scrivener is like the ultimate virtual Trapper-Keeper. I do
a ton of research for each of my books: I collect photographs and maps; I
collect links within links; I draw and mind-map. All of these pieces of
information can be stored within a single Scrivener document to be retrieved
instantly while I’m working. No more closing one window to open another, no
more logging on and off line to get back to something that I’m hoping I can
find again, no more digging through that pile of print-outs to find the one
picture or map or tidbit of information that I know is somewhere in there.
Furthermore, Scrivener’s corkboard tool is awesome. I have
several whiteboards and corkboards – all awkwardly huge and cumbersome – and
they were my mind-map places, with sticky notes or index cards that inevitably
fell off or became jumbled. In Scrivener, I can create a virtual corkboard that
goes wherever my computer goes. I can move and replace and add; I can annotate
and highlight and transfer. I can color-code; I can change the size of the
index cards so that more fit on my corkboard, or fewer. I can even use an
outline feature – but, no, that will never happen.
One of my friends said that Scrivener is a program made for
writers by writers. In other words, it’s the perfect left brain meets right
brain tool.
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| screen shot of my corkboard |
Here are several hints if you decide you want to try
Scrivener.
- 1. Try it for free. The folks at Literature and Latte are really awesome and you can give it a test drive. And really, it’s not that expensive if you are willing to take a chance.
- 2. The written tutorials are good, but in my case my eyes glaze over with all that technical stuff. I just want to get on the road. So I watched the two introductory video tutorials, one short and one long (links in the Scrivener help menu), and they are terrific starters. I had to watch them twice but during the second run-through I had set up a practice manuscript, and I just paused the tutorial and practiced for a minute in the practice ms until I understood where to go and what to do.
- 3. Don’t make the mistake I did of filling in the template sheets without doing a save as first. I had to reconstruct the template sheets after I realized that mistake. (You don’t need the templates – but I thought they were rather nice.)
- 4. Figure out through practice how to toggle between the corkboard and your manuscript, and between showing the image and showing the synopsis in the sidebar. I thought I was going crazy – importing images that seemed to vanish – until I realized that they were waiting for me in the image mode.
- 5. Compiling seems to be one of the places people complain about. Compiling is transferring your manuscript to another platform, such as Word. I haven’t reached that stage; but I have copied and pasted a number of chapters of my new novel into Word without a single hitch or change in formatting (unlike what I’ve experienced in using Pages on my iPad, but don’t get me started on that.)
In essence, this confirmed pantser has become a kind-of
plotter, thanks to Scrivener. The bottom line? I’m writing more words per day,
more efficiently, and yet I’ve retained the creative flexibility that I
cherish.
Now I need to go back to the fantasy and see if Scrivener
will help me untangle those knots!
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